We had so many challenges — but everytime we were about to give up — I thought about GD and decided to continue. I'm proud to say that the team managed to implement all the wishes from George — and more to. This is a Kontakt Player instrument. This means that you do not need to own the full version of NI Kontakt to use it.
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So instead of recording the sound of a piano they create a computer model of how sound is generated when a mallet hits a tine. They are now up to version 4 and I should point out that the instrument includes physical models of both the Rhodes and the Wurlitzer piano. The controls vary how the various elements of resonators and vibrations interact giving Lounge Lizard a unique feel when editing. It comes with a load of presets and lots of room for finding the perfect sound.
Arturia have also gone the modelling route with their Stage 73 V piano. All the controls of the original instruments are there including developments that came in over the years of production. So you can switch between the tone knob of the model and the bass knob of the version.
Arturia have put a lot of focus into the amplification and effects loop, including a volume and sustain pedal. Under the hood as it were are mechanical controls allowing you to govern things like tone bar resonance, pickup distance and hammer hardness. This again is the advantage of physical modelling over a sample based instrument. Moving into the realm of the sampled instrument with the Scarbee range of electric pianos hosted by Native Instruments. They have come in several forms over the years but the Scarbee Mark I is their definitive sampled Rhodes machine.
There has to be a point at which the detail starts getting lost under the weight of the samples and variations. Suffice to say they did a magnificent job and believe that a soul is captured in 1.
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